SEARCH RESULTS FOR: Meat Loaf
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(Vocals, b. 1947) Born Marvin Lee Aday in Dallas, Texas, Meat Loaf had a musical theatre as well as a rock’n’roll background (he starred in The Rocky Horror Picture Show). This was apparent on the camp but hugely appealing excess of breakthrough album Bat Out Of Hell in 1977, written by Jim Steinman and produced by Todd ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Queen guitarist Brian May is among the most recognizable players in the world. His distinctive tones, created by the home-made guitar he built when he was 16 and has used throughout his career, are integral to the sound of Queen. Many of the sounds he produced were so innovative that the first seven Queen albums pointedly stated that no ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Davey Johnstone (b. 1951) rocketed to fame with the Rocket Man himself, Elton John, as the former Reg Dwight exploded on to the music scene in the early 1970s, rising from thoughtful love balladeer to raucous glam rocker/showman to international pop-music institution and legend. Except for a short period from the late 1970s to the early 1980s, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal/instrumental group, 1978–present) Fish (b. Derek Dick) was the band’s charismatic vocalist until 1988, writing the lyrics to their complicated but engaging neo-prog rock: Script For A Jester’s Tear (1983) and Fugazi (1984). They also landed UK hits with ‘Kayleigh’, ‘Lavender’ and ‘Incommunicado’. Since Steve Hogarth took over they have kept the unfashionable banner of prog flying with aplomb ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Much derided by music (and fashion) journalists, goth rock is slow, introspective, gloomy and doom-ridden, with elements from hard rock and psychedelia, often with swathes of cold keyboards and angular guitar parts. The dress code was rigid: black clothes, big black hair and face made up to look deathly white. Critics often found the music ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The early 1970s music scene saw rock and pop continue to separate, with the latter usually aiming for not only an ever-younger audience, but also an increasingly middle-aged one. Three major strands of new pop defined both this process and pop’s increased preoccupation with different forms of escapism. Glam rock was a peculiarly English phenomenon, signalling a return to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Piano, vocals, songwriter, publisher, 1895–1955) A Memphis riverboat pianist and bandleader, Miller got into the publishing and songwriting business in his twenties. Moving to New York, he worked for several labels as a record producer, supplying acts like Gene Autry and Cliff Carlisle with material of his own, such as ‘Twenty-One Years’, ‘Seven ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Indie guitar legend Johnny Marr (b. 1963) was born John Maher in Manchester, England to Irish Catholic parents. He grew up in a household where music was a constant fixture, and he recalled, ‘I always had guitars, for as long as I could remember.’ Guitar technique came easily to young Johnny, and he quickly mastered ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Vocalist/pianist Leroy Carr’s life and career belie the myth that pre-war acoustic blues artists were necessarily ‘rural’ or ‘primitive’. Carr was born not on a plantation but in Nashville, Tennessee on 27 March 1905. His father worked as a porter at Vanderbilt University. After his parents separated, his mother brought him and his sister to Indianapolis (known in the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

January George Marries Pattie Boyd George Harrison married model Pattie Boyd at Epsom registry office on 21 January. They had been going out together since meeting on the set of A Hard Day’s Night nearly two years earlier. Paul McCartney was the best man. John Lennon and Ringo Starr were both on holiday with their wives, planned as a decoy ...

Source: The Beatles Revealed, by Hugh Fielder

(Vocal/instrumental group, 1982–87) Manchester’s finest coalesced around the songwriting pair of former journalist Stephen Patrick Morrissey (vocals) and Johnny Marr (guitar). Andy Rourke (bass) and Mike Joyce (drums) completed a team who became the darlings of bed-sit melancholics everywhere, and exerted a huge influence on indie rock over the following decades. Their mesmerizing blend of 1960s beat music and ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The Bobo Ashanti is Rasta for the twenty-first century: more militant and less tolerant. With their ideological attacks on Rome, social demotion of women and condemnation of homosexuality, deejays like Capleton and Anthony B may seem world’s apart from the hippy-ish notions of dreadlocks that was Bob Marley’s legacy. There’s actually not much difference. Unlike roots reggae, which ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Proto-punk bands, like all ‘proto’ genres, are by definition only identified retrospectively and generally share subversive and anti-establishment attitudes. Although punk rock was primarily a British phenomenon, there were several notable American punk bands and its musical roots lie more with these American bands than with British bands. The energy of pub rockers like Dr. Feelgood and Eddie ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

January The Sex Pistols Get The Bullet On 6 January 1977 EMI Records terminated its contract with The Sex Pistols, saying it was unable to promote the group’s records ‘in view of the adverse publicity generated over the past two months’. The media furore over the Pistols’ TV appearance six weeks earlier had barely abated and now politicians were weighing ...

Source: Punk: The Brutal Truth, by Hugh Fielder and Mike Gent

Taking their name from the meagre rehearsal facilities of its early practitioners, garage rock began in the US during the mid-1960s. The loud, fuzz-toned guitars often failed to disguise links to UK pop mentors like The Beatles, Rolling Stones and The Who. later acid rock bands such as The Electric Prunes incorporated progressive and psychedelic influences. Mostly, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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